Chapter 27 Catching Fire

Chapter 27


Ro

Catching Fire Chaper 26

Chapter 26

The anthem begins, but there are no faces in the sky tonight. The audience will be restless, thirsting for blood. Beetee's trap holds enough promise, though, that the Gamemakers haven't sent in other attacks. Perhaps they are simply curious to see if it will work.

At what Finnick and I judge to be about nine, we leave our shell-strewn camp, cross to the twelve o'clock beach, and begin to quietly hike up to the lightning tree in the light of the moon. Our full stomachs make us more uncomfortable and breathless than we were on the morning's climb. I begin to regret those last dozen oysters.

Beetee asks Finnick to assist him, and the rest of us stand guard. Before he even attaches any wire to the tree, Beetee unrolls yards and yards of the stuff. He has Finnick secure it tightly around a broken branch and lay it on the ground. Then they stand on either side of the tree, passing the spool back and forth as they wrap the wire around and around the trunk. At first it seems arbitrary, then I see a pattern, like an intricate maze, appearing in the moonlight on Beetee's side. I wonder if it makes any difference how the wire's placed, or if this is merely to add to the speculation of the audience. I bet most of them know as much about electricity as I do.

The work on the trunk's completed just as we hear the wave begin. I've never really worked out at what point in the ten o'clock hour it erupts. There must be some buildup, then the wave itself, then the aftermath of the flooding. But the sky tells me ten-thirty.

This is when Beetee reveals the rest of the plan. Since we move most swiftly through the trees, he wants Johanna and me to take the coil down through the jungle, unwinding the wire as we go. We are to lay it across the twelve o'clock beach and drop the metal spool, with whatever is left, deep into the water, making sure it sinks. Then run for the jungle. If we go now, right now, we should make it to safety.

“I want to go with them as a guard,” Peeta says immediately. After the moment with the pearl, I know he's less willing than ever to let me out of his sight.

“You're too slow. Besides, I'll need you on this end. Katniss will guard,” says Beetee. “There's no time to debate this. I'm sorry. If the girls are to get out of there alive, they need to move now.” He hands the coil to Johanna.

I don't like the plan any more than Peeta does. How can I protect him at a distance? But Beetee's right. With his leg, Peeta is too slow to make it down the slope in time. Johanna and I are the fastest and most sure-footed on the jungle floor. I can't think of any alternative. And if I trust anyone here besides Peeta, it's Beetee.

“It's okay,” I tell Peeta. “We'll just drop the coil and come straight back up.”

“Not into the lightning zone,” Beetee reminds me. “Head for the tree in the one-to-two-o'clock sector. If you find you're running out of time, move over one more. Don't even think about going back on the beach, though, until I can assess the damage.”

I take Peeta's face in my hands. “Don't worry. I'll see you at midnight.” I give him a kiss and, before he can object any further, I let go and turn to Johanna. “Ready?”

“Why not?” says Johanna with a shrug. She's clearly no happier about being teamed up than I am. But we're all caught up in Beetee's trap. “You guard, I'll unwind. We can trade off later.”

Without further discussion, we head down the slope. In fact there's very little discussion between us at all. We move at a pretty good clip, one manning the coil, the other keeping watch. About halfway down, we hear the clicking beginning to rise, indicating it's after eleven.

“Better hurry,” Johanna says. “I want to put a lot of distance between me and that water before the lightning hits. Just in case Volts miscalculated something.”

“I'll take the coil for a while,” I say. It's harder work laying out the wire than guarding, and she's had a long turn.

“Here,” Johanna says, passing me the coil.

Both of our hands are still on the metal cylinder when there's a slight vibration. Suddenly the thin golden wire from above springs down at us, bunching in tangled loops and curls around our wrists. Then the severed end snakes up to our feet.

It only takes a second to register this rapid turn of events. Johanna and I look at each other, but neither of us has to say it. Someone not far above us has cut the wire. And they will be on us at any moment.

My hand frees itself from the wire and has just closed on the feathers of an arrow when the metal cylinder smashes into the side of my head. The next thing I know, I'm lying on my back in the vines, a terrible pain in my left temple. Something's wrong with my eyes. My vision blurs in and out of focus as I strain to make the two moons floating up in the sky into one. It's hard to breathe, and I realize Johanna's sitting on my chest, pinning me at the shoulders with her knees.

There's a stab in my left forearm. I try to jerk away but I'm still too incapacitated. Johanna's digging something, I guess the point of her knife, into my flesh, twisting it around. There's an excruciating ripping sensation and warmth runs down my wrist, filling my palm. She swipes down my arm and coats half my face with my blood.

“Stay down!” she hisses. Her weight leaves my body and I'm alone.

Stay down? I think. What? What is happening? My eyes shut, blocking out the inconsistent world, as I try to make sense of my situation.

All I can think of is Johanna shoving Wiress to the beach. “Just stay down, will you?” But she didn't attack Wiress. Not like this. I'm not Wiress, anyway. I'm not Nuts. “Just stay down, will you?” echoes around inside my brain.

Footsteps coming. Two pairs. Heavy, not trying to conceal their whereabouts.

Brutus's voice. “She's good as dead! Come on, Enobaria!” Feet moving into the night.

Am I? I drift in and out of consciousness looking for an answer. Am I as good as dead? I'm in no position to make an argument to the contrary. In fact, rational thinking is a struggle. This much I know. Johanna attacked me. Smashed that cylinder into my head. Cut my arm, probably doing irreparable damage to veins and arteries, and then Brutus and Enobaria showed up before she had time to finish me off.

The alliance is over. Finnick and Johanna must have had an agreement to turn on us tonight. I knew we should have left this morning. I don't know where Beetee stands. But I'm fair game, and so is Peeta.

Peeta! My eyes fly open in panic. Peeta is waiting up by the tree, unsuspecting and off guard. Maybe Finnick has even killed him already. “No,” I whisper. That wire was cut from a short distance away by the Careers. Finnick and Beetee and Peeta—they can't know what's going on down here. They can only be wondering what has happened, why the wire has gone slack or maybe even sprung back to the tree. This, in itself, can't be a signal to kill, can it? Surely this was just Johanna deciding the time had come to break with us. Kill me. Escape from the Careers. Then bring Finnick into the fight as soon as possible.

I don't know. I don't know. I only know that I must get back to Peeta and keep him alive. It takes every ounce of will I have to push up into a sitting position and drag myself up the side of a tree to my feet. It's lucky I have something to hold on to because the jungle's tilting back and forth. Without any warning, I lean forward and vomit up the seafood feast, heaving until there can't possibly be an oyster left in my body. Trembling and slick with sweat, I assess my physical condition.

As I lift up my damaged arm, blood sprays me in the face and the world makes another alarming shift. I squeeze my eyes shut and cling to the tree until things steady a little. Then I take a few careful steps to a neighboring tree, pull off some moss, and without examining the wound further, tightly bandage my arm. Better. Definitely better not to see it. Then I allow my hand to tentatively touch my head wound. There's a huge lump but not too much blood. Obviously I've got some internal damage, but I don't seem in danger of bleeding to death. At least not through my head.

I dry my hands on moss and get a shaky grip on my bow with my damaged left arm. Secure the notch of an arrow to the string. Make my feet move up the slope.

Peeta. My dying wish. My promise. To keep him alive. My heart lifts a bit when I realize he must be alive because no cannon has fired. Maybe Johanna was acting alone, knowing Finnick would side with her once her intentions were clear. Although it's hard to guess what goes on between those two. I think of how he looked to her for confirmation before he'd agree to help set Beetee's trap. There's a much deeper alliance based on years of friendship and who knows what else. Therefore, if Johanna has turned on me, I should no longer trust Finnick.

I reach this conclusion only seconds before I hear someone running down the slope toward me. Neither Peeta nor Beetee could move at this pace. I duck behind a curtain of vines, concealing myself just in time. Finnick flies by me, his skin shadowy with medicine, leaping through the undergrowth like a deer. He soon reaches the sight of my attack, must see the blood. “Johanna! Katniss!” he calls. I stay put until he goes in the direction Johanna and the Careers took.

I move as quickly as I can without sending the world into a whirl. My head throbs with the rapid beat of my heart. The insects, possibly excited by the smell of blood, have increased their clicking until it's a continuous roar in my ears. No, wait. Maybe my ears are actually ringing from the hit. Until the insects shut up, it will be impossible to tell. But when the insects go silent, the lightning will start. I have to move faster. I have to get to Peeta.

The boom of a cannon pulls me up short. Someone has died. I know that with everyone running around armed and scared right now, it could be anybody. But whoever it is, I believe the death will trigger a kind of free-for-all out here in the night. People will kill first and wonder about their motives later. I force my legs into a run.

Something snags my feet and I sprawl out on the ground. I feel it wrapping around me, entwining me in sharp fibers. A net! This must be one of Finnick's fancy nets, positioned to trap me, and he must be nearby, trident in hand. I flail around for a moment, only working the web more tightly around me, and then I catch a glimpse of it in the moonlight. Confused, I lift my arm and see it's entangled in shimmering golden threads. It's not one of Finnick's nets at all, but Beetee's wire. I carefully rise to my feet and find I'm in a patch of the stuff that caught on a trunk on its way back to the lightning tree. Slowly I disengage myself from the wire, step out of its reach, and continue uphill.

On the good side, I'm on the right path and have not been so disoriented by the head injury as to lose my sense of direction. On the bad side, the wire has reminded me of the oncoming lightning storm. I can still hear the insects, but are they starting to fade?

I keep the loops of wire a few feet to my left as a guide as I run but take great care not to touch them. If those insects are fading and the first bolt is about to strike the tree, then all its power will come surging down that wire and anyone in contact with it will die.

The tree swims into view, its trunk festooned with gold. I slow down, try to move with some stealth, but I'm really just lucky to be upright. I look for a sign of the others. No one. No one is there. “Peeta?” I call softly. “Peeta?”

A soft moan answers me and I whip around to find a figure lying higher up on the ground. “Beetee!” I exclaim. I hurry and kneel beside him. The moan must have been involuntary. He's not conscious, although I can see no wound except a gash below the crook of his elbow. I grab a nearby handful of moss and clumsily wrap it while I try to rouse him. “Beetee! Beetee, what's going on! Who cut you? Beetee!” I shake him in the way you should never shake an injured person, but I don't know what else to do. He moans again and briefly raises a hand to ward me off.

This is when I notice he's holding a knife, one Peeta was carrying earlier, I think, which is wrapped loosely in wire.

Perplexed, I stand and lift the wire, confirming it's attached back at the tree. It takes me a moment to remember the second, much shorter strand that Beetee wound around a branch and left on the ground before he even began his design on the tree. I'd thought it had some electrical significance, had been set aside to be used later. But it never was, because there's probably a good twenty, twenty-five yards here.

I squint hard up the hill and realize we're only a few paces from the force field. There's the telltale square, high up and to my right, just as it was this morning. What did Beetee do? Did he actually try to drive the knife into the force field the way Peeta did by accident? And what's the deal with the wire? Was this his backup plan? If electrifying the water failed, did he mean to send the lightning bolt's energy into the force field? What would that do, anyway? Nothing? A great deal? Fry us all? The force field must mostly be energy, too, I guess. The one in the Training Center was invisible. This one seems to somehow mirror the jungle. But I've seen it falter when Peeta's knife struck it and when my arrows hit. The real world lies right behind it.

My ears are not ringing. It was the insects after all. I know that now because they are dying out quickly and I hear nothing but the jungle sounds. Beetee is useless. I can't rouse him. I can't save him. I don't know what he was trying to do with the knife and the wire and he's incapable of explaining. The moss bandage on my arm is soaked and there's no use fooling myself. I'm so light-headed I'll black out in a matter of minutes. I've got to get away from this tree and—

“Katniss!” I hear his voice though he's a far distance away. But what is he doing? Peeta must have figured out that everyone is hunting us by now. “Katniss!”

I can't protect him. I can't move fast or far and my shooting abilities are questionable at best. I do the one thing I can to draw the attackers away from him and over to me. “Peeta!” I scream out. “Peeta! I'm here! Peeta!” Yes, I will draw them in, any in my vicinity, away from Peeta and over to me and the lightning tree that will soon be a weapon in and of itself. “I'm here! I'm here!” He won't make it. Not with that leg in the night. He will never make it in time. “Peeta!”

It's working. I can hear them coming. Two of them. Crashing through the jungle. My knees start to give out and I sink down next to Beetee, resting my weight on my heels. My bow and arrow lift into position. If I can take them out, will Peeta survive the rest?

Enobaria and Finnick reach the lightning tree. They can't see me, sitting above them on the slope, my skin camouflaged in ointment. I home in on Enobaria's neck. With any luck, when I kill her, Finnick will duck behind the tree for cover just as the lightning bolt strikes. And it will be any second. There's only a faint insect click here and there. I can kill them now. I can kill them both.

Another cannon.

“Katniss!” Peeta's voice howls for me. But this time I don't answer. Beetee still breathes faintly beside me. He and I will soon die. Finnick and Enobaria will die. Peeta is alive. Two cannons have sounded. Brutus, Johanna, Chaff. Two of them are already dead. That will leave Peeta with only one tribute to kill. And that is the very best I can do. One enemy.

Enemy. Enemy. The word is tugging at a recent memory. Pulling it into the present. The look on Haymitch's face. “Katniss, when you're in the arena ...” The scowl, the misgiving. “What?” I hear my own voice tighten as I bristle at some unspoken accusation. “You just remember who the enemy is,” Haymitch says. “That's all.”

Haymitch's last words of advice to me. Why would I need reminding? I have always known who the enemy is. Who starves and tortures and kills us in the arena. Who will soon kill everyone I love.

My bow drops as his meaning registers. Yes, I know who the enemy is. And it's not Enobaria.

I finally see Beetee's knife with clear eyes. My shaking hands slide the wire from the hilt, wind it around the arrow just above the feathers, and secure it with a knot picked up in training.

I rise, turning to the force field, fully revealing myself but no longer caring. Only caring about where I should direct my tip, where Beetee would have driven the knife if he'd been able to choose. My bow tilts up at the wavering square, the flaw, the ... what did he call it that day? The chink in the armor. I let the arrow fly, see it hit its mark and vanish, pulling the thread of gold behind it.

My hair stands on end and the lightning strikes the tree.

A flash of white runs up the wire, and for just a moment, the dome bursts into a dazzling blue light. I'm thrown backward to the ground, body useless, paralyzed, eyes frozen wide, as feathery bits of matter rain down on me. I can't reach Peeta. I can't even reach my pearl. My eyes strain to capture one last image of beauty to take with me.

Right before the explosions begin, I find a star.

Chapter 25 Catching Fire

Catching Fire Chapter 25

 

 

 

 

When I wake, I have a brief, delicious feeling of happiness that is somehow connected with Peeta. Happiness, of course, is a complete absurdity at this point, since at the rate things are going, I'll be dead in a day. And that's the best-case scenario, if I'm able to eliminate the rest of the field, including myself, and get Peeta crowned as the winner of the Quarter Quell. Still, the sensation's so unexpected and sweet I cling to it, if only for a few moments. Before the gritty sand, the hot sun, and my itching skin demand a return to reality.

Everyone's already up and watching the descent of a parachute to the beach. I join them for another delivery of bread. It's identical to the one we received the night before. Twenty-four rolls from District 3. That gives us thirty-three in all. We each take five, leaving eight in reserve. No one says it, but eight will divide up perfectly after the next death. Somehow, in the light of day, joking about who will be around to eat the rolls has lost its humor.

How long can we keep this alliance? I don't think anyone expected the number of tributes to drop so quickly. What if I am wrong about the others protecting Peeta? If things were simply coincidental, or it's all been a strategy to win our trust to make us easy prey, or I don't understand what's actually going on? Wait, there's no ifs about that. I don't understand what's going on. And if I don't, it's time for Peeta and me to clear out of here.

I sit next to Peeta on the sand to eat my rolls. For some reason, it's difficult to look at him. Maybe it was all that kissing last night, although the two of us kissing isn't anything new. It might not even have felt any different for him. Maybe it's knowing the brief amount of time we have left. And how we're working at such cross-purposes when it comes to who should survive these Games.

After we eat, I take his hand and tug him toward the water. “Come on. I'll teach you how to swim.” I need to get him away from the others where we can discuss breaking away. It will be tricky, because once they realize we're severing the alliance, we'll be instant targets.

If I was really teaching him to swim, I'd make him take off the belt since it keeps him afloat, but what does it matter now? So I just show him the basic stroke and let him practice going back and forth in waist-high water. At first, I notice Johanna keeping a careful eye on us, but eventually she loses interest and goes to take a nap. Finnick's weaving a new net out of vines and Beetee plays with his wire. I know the time has come.

While Peeta has been swimming, I've discovered something. My remaining scabs are starting to peel off. By gently rubbing a handful of sand up and down my arm, I clean off the rest of the scales, revealing fresh new skin underneath.

I stop Peeta's practice, on the pretext of showing him how to rid himself of the itchy scabs, and as we scrub ourselves, I bring up our escape.

“Look, the pool is down to eight. I think it's time we took off,” I say under my breath, although I doubt any of the tributes can hear me.

Peeta nods, and I can see him considering my proposition. Weighing if the odds will be in our favor. “Tell you what,” he says. “Let's stick around until Brutus and Enobaria are dead. I think Beetee's trying to put together some kind of trap for them now. Then, I promise, we'll go.”

I'm not entirely convinced. But if we leave now, we'll have two sets of adversaries after us. Maybe three, because who knows what Chaff's up to? Plus the clock to contend with. And then there's Beetee to think of. Johanna only brought him for me, and if we leave she'll surely kill him. Then I remember. I can't protect Beetee, too. There can only be one victor and it has to be Peeta. I must accept this. I must make decisions based on his survival only.

“All right,” I say. “We'll stay until the Careers are dead. But that's the end of it.” I turn and wave to Finnick. “Hey, Finnick, come on in! We figured out how to make you pretty again!”

The three of us scour all the scabs from our bodies, helping with the others' backs, and come out the same pink as the sky. We apply another round of medicine because the skin seems too delicate for the sunlight, but it doesn't look half as bad on smooth skin and will be good camouflage in the jungle.

Beetee calls us over, and it turns out that during all those hours of fiddling with wire, he has indeed come up with a plan. “I think we'll all agree our next job is to kill Brutus and Enobaria,” he says mildly. “I doubt they'll attack us openly again, now that they're so outnumbered. We could track them down, I suppose, but it's dangerous, exhausting work.”

“Do you think they've figured out about the clock?” I ask.

“If they haven't, they'll figure it out soon enough. Perhaps not as specifically as we have. But they must know that at least some of the zones are wired for attacks and that they're reoccurring in a circular fashion. Also, the fact that our last fight was cut off by Gamemaker intervention will not have gone unnoticed by them. We know it was an attempt to disorient us, but they must be asking themselves why it was done, and this, too, may lead them to the realization that the arena's a clock,” says Beetee. “So I think our best bet will be setting our own trap.”

“Wait, let me get Johanna up,” says Finnick. “She'll be rabid if she thinks she missed something this important.”

“Or not,” I mutter, since she's always pretty much rabid, but I don't stop him, because I'd be angry myself if I was excluded from a plan at this point.

When she's joined us, Beetee shoos us all back a bit so he can have room to work in the sand. He swiftly draws a circle and divides it into twelve wedges. It's the arena, not rendered in-Peeta's precise strokes but in the rough lines of a man whose mind is occupied by other, far more complex things. “If you were Brutus and Enobaria, knowing what you do now about the jungle, where would you feel safest?” Beetee asks. There's nothing patronizing in his voice, and yet I can't help thinking he reminds me of a schoolteacher about to ease children into a lesson. Perhaps it's the age difference, or simply that Beetee is probably about a million times smarter than the rest of us.

“Where we are now. On the beach,” says Peeta. “It's the safest place.”

“So why aren't they on the beach?” says Beetee.

“Because we're here,” says Johanna impatiently.

“Exactly. We're here, claiming the beach. Now where would you go?” says Beetee.

I think about the deadly jungle, the occupied beach. “I'd hide just at the edge of the jungle. So I could escape if an attack came. And so I could spy on us.”

“Also to eat,” Finnick says. “The jungle's full of strange creatures and plants. But by watching us, I'd know the seafood's safe.”

Beetee smiles at us as if we've exceeded his expectations. “Yes, good. You do see. Now here's what I propose: a twelve o'clock strike. What happens exactly at noon and at midnight?”

“The lightning bolt hits the tree,” I say.

“Yes. So what I'm suggesting is that after the bolt hits at noon, but before it hits at midnight, we run my wire from that tree all the way down into the saltwater, which is, of course, highly conductive. When the bolt strikes, the electricity will travel down the wire and into not only the water but also the surrounding beach, which will still be damp from the ten o'clock wave. Anyone in contact with those surfaces at that moment will be electrocuted,” says Beetee.

There's a long pause while we all digest Beetee's plan. It seems a bit fantastical to me, impossible even. But why? I've set thousands of snares. Isn't this just a larger snare with a more scientific component? Could it work? How can we even question it, we tributes trained to gather fish and lumber and coal? What do we know about harnessing power from the sky?

Peeta takes a stab at it. “Will that wire really be able to conduct that much power, Beetee? It looks so fragile, like it would just burn up.”

“Oh, it will. But not until the current has passed through it. It will act something like a fuse, in fact. Except the electricity will travel along it,” says Beetee.

“How do you know?” asks Johanna, clearly not convinced.

“Because I invented it,” says Beetee, as if slightly surprised. “It's not actually wire in the usual sense. Nor is the lightning natural lightning nor the tree a real tree. You know trees better than any of us, Johanna. It would be destroyed by now, wouldn't it?”

“Yes,” she says glumly.

“Don't worry about the wire — it will do just what I say,” Beetee assures us.

“And where will we be when this happens?” asks Finnick.

“Far enough up in the jungle to be safe,” Beetee replies.

“The Careers will be safe, too, then, unless they're in the vicinity of the water,” I point out. “That's right,” says Beetee.

“But all the seafood will be cooked,” says Peeta.

“Probably more than cooked,” says Beetee. “We will most likely be eliminating that as a food source for good. But you found other edible things in the jungle, right, Katniss?”

“Yes. Nuts and rats,” I say. “And we have sponsors.”

“Well, then. I don't see that as a problem,” says Beetee. “But as we are allies and this will require all our efforts, the decision of whether or not to attempt it is up to you four.”

We are like schoolchildren. Completely unable to dispute his theory with anything but the most elementary concerns. Most of which don't even have anything to do with his actual plan. I look at the others' disconcerted faces. “Why not?” I say. “If it fails, there's no harm done. If it works, there's a decent chance we'll kill them. And even if we don't and just kill the seafood, Brutus and Enobaria lose it as a food source, too.”

“I say we try it,” says Peeta. “Katniss is right.”

Finnick looks at Johanna and raises his eyebrows. He will not go forward without her. “All right,” she says finally. “It's better than hunting them down in the jungle, anyway. And I doubt they'll figure out our plan, since we can barely understand it ourselves.”

Beetee wants to inspect the lightning tree before he has to rig it. Judging by the sun, it's about nine in the morning. We have to leave our beach soon, anyway. So we break camp, walk over to the beach that borders the lightning section, and head into the jungle. Beetee's still too weak to hike up the slope on his own, so Finnick and Peeta take turns carrying him. I let Johanna lead because it's a pretty straight shot up to the tree, and I figure she can't get us too lost. Besides, I can do a lot more damage with a sheath of arrows than she can with two axes, so I'm the best one to bring up the rear.

The dense, muggy air weighs on me. There's been no break from it since the Games began. I wish Haymitch would stop sending us that District 3 bread and get us some more of that District 4 stuff, because I've sweated out buckets in the last two days, and even though I've had the fish, I'm craving salt. A piece of ice would be another good idea. Or a cold drink of water. I'm grateful for the fluid from the trees, but it's the same temperature as the seawater and the air and the other tributes and me. We're all just one big, warm stew.

As we near the tree, Finnick suggests I take the lead. “Katniss can hear the force field,” he explains to Beetee and Johanna.

“Hear it?” asks Beetee.

“Only with the ear the Capitol reconstructed,” I say. Guess who I'm not fooling with that story? Beetee. Because surely he remembers that he showed me how to spot a force field, and probably it's impossible to hear force fields, anyway. But, for whatever reason, he doesn't question my claim.

“Then by all means, let Katniss go first,” he says, pausing a moment to wipe the steam off his glasses. “Force fields are nothing to play around with.”

The lightning tree's unmistakable as it towers so high above the others. I find a bunch of nuts and make everybody wait while I move slowly up the slope, tossing the nuts ahead of me. But I see the force field almost immediately, even before a nut hits it, because it's only about fifteen yards away. My eyes, which are sweeping the greenery before me, catch sight of the rippled square high up and to my right. I throw a nut directly in front of me and hear it sizzle in confirmation.

“Just stay below the lightning tree,” I tell the others.

We divide up duties. Finnick guards Beetee while he examines the tree, Johanna taps for water, Peeta gathers nuts, and I hunt nearby. The tree rats don't seem to have any fear of humans, so I take down three easily. The sound of the ten o'clock wave reminds me I should get back, and I return to the others and clean my kill. Then I draw a line in the dirt a few feet from the force field as a reminder to keep back, and Peeta and I settle down to roast nuts and sear cubes of rat.

Beetee is still messing around the tree, doing I don't know what, taking measurements and such. At one point he snaps off a sliver of bark, joins us, and throws it against the force field. It bounces back and lands on the ground, glowing. In a few moments it returns to its original color. “Well, that explains a lot,” says Beetee. I look at Peeta and can't help biting my lip to keep from laughing since it explains absolutely nothing to anyone but Beetee.

About this time we hear the sound of clicks rising from the sector adjacent to us. That means it's eleven o'clock. It's far louder in the jungle than it was on the beach last night. We all listen intently.

“It's not mechanical,” Beetee says decidedly.

“I'd guess insects,” I say. “Maybe beetles.”

“Something with pincers,” adds Finnick.

The sound swells, as if alerted by our quiet words to the proximity of live flesh. Whatever is making that clicking, I bet it could strip us to the bone in seconds.

“We should get out of here, anyway,” says Johanna. “There's less than an hour before the lightning starts.”

We don't go that far, though. Only to the identical tree in the blood-rain section. We have a picnic of sorts, squatting on the ground, eating our jungle food, waiting for the bolt that signals noon. At Beetee's request, I climb up into the canopy as the clicking begins to fade out. When the lightning strikes, it's dazzling, even from here, even in this bright sunlight. It completely encompasses the distant tree, making it glow a hot blue-white and causing the surrounding air to crackle with electricity. I swing down and report my findings to Beetee, who seems satisfied, even if I'm not terribly scientific.

We take a circuitous route back to the ten o'clock beach. The sand is smooth and damp, swept clean by the recent wave. Beetee essentially gives us the afternoon off while he works with the wire. Since it's his weapon and the rest of us have to defer to his knowledge so entirely, there's the odd feeling of being let out of school early. At first we take turns having naps in the shadowy edge of the jungle, but by late afternoon everyone is awake and restless. We decide, since this might be our last chance for seafood, to make a sort of feast of it. Under Finnick's guidance we spear fish and gather shellfish, even dive for oysters. I like this last part best, not because I have any great appetite for oysters. I only ever tasted them once, in the Capitol, and I couldn't get around the sliminess. But it's lovely, deep down under the water, like being in a different world. The water's very clear, and schools of bright-hued fish and strange sea flowers decorate the sand floor.

Johanna keeps watch while Finnick, Peeta, and I clean and lay out the seafood. Peeta's just pried open an oyster when I hear him give a laugh. “Hey, look at this!” He holds up a glistening, perfect pearl about the size of a pea. “You know, if you put enough pressure on coal it turns to pearls,” he says earnestly to Finnick.

“No, it doesn't,” says Finnick dismissively. But I crack up, remembering that's how a clueless Effie Trinket presented us to the people of the Capitol last year, before anyone knew us. As coal pressured into pearls by our weighty existence. Beauty that arose out of pain.

Peeta rinses the pearl off in the water and hands it to me. “For you.” I hold it out on my palm and examine its iridescent surface in the sunlight. Yes, I will keep it. For the few remaining hours of my life I will keep it close. This last gift from Peeta. The only one I can really accept. Perhaps it will give me strength in the final moments.

“Thanks,” I say, closing my fist around it. I look coolly into the blue eyes of the person who is now my greatest opponent, the person who would keep me alive at his own expense. And I promise myself I will defeat his plan.

The laughter drains from those eyes, and they are staring so intensely into mine, it's like they can read my thoughts. “The locket didn't work, did it?” Peeta says, even though Finnick is right there. Even though everyone can hear him. “Katniss?”

“It worked,” I say.

“But not the way I wanted it to,” he says, averting his glance. After that he will look at nothing but oysters.

Just as we're about to eat, a parachute appears bearing two supplements to our meal. A small pot of spicy red sauce and yet another round of rolls from District 3. Finnick, of course, immediately counts them. “Twenty-four again,” he says.

Thirty-two rolls, then. So we each take five, leaving seven, which will never divide equally. It's bread for only one.

The salty fish flesh, the succulent shellfish. Even the oysters seem tasty, vastly improved by the sauce. We gorge ourselves until no one can hold another bite, and even then there are leftovers. They won't keep, though, so we toss all the remaining food back into the water so the Careers won't get it when we leave. No one bothers about the shells. The wave should clear those away.

There's nothing to do now but wait. Peeta and I sit at the edge of the water, hand in hand, wordless. He gave his speech last night but it didn't change my mind, and nothing I can say will change his. The time for persuasive gifts is over.

I have the pearl, though, secured in a parachute with the spile and the medicine at my waist. I hope it makes it back to District 12.

Surely my mother and Prim will know to return it to Peeta before they bury my body.

Catching Fire Chapter 24

Chapter 24

Where is she? What are they doing to her? “Prim!” I cry out. “Prim!” Only another agonized scream answers me. How did she get here? Why is she part of the Games? “Prim!”

Vines cut into my face and arms, creepers grab my feet. But I am getting closer to her. Closer. Very close now. Sweat pours down my face, stinging the healing acid wounds. I pant, trying to get some use out of the warm, moist air that seems empty of oxygen. Prim makes a sound — such a lost, irretrievable sound—that I can't even imagine what they have done to evoke it.

“Prim!” I rip through a wall of green into a small clearing and the sound repeats directly above me. Above me? My head whips back. Do they have her up in the trees? I desperately search the branches but see nothing. “Prim?” I say pleadingly. I hear her but can't see her. Her next wail rings out, clear as a bell, and there's no mistaking the source. It's coming from the mouth of a small, crested black bird perched on a branch about ten feet over my head. And then I understand.

It's a jabberjay.

I've never seen one before — I thought they no longer existed—and for a moment, as I lean against the trunk of the tree, clutching the stitch in my side, I examine it. The muttation, the forerunner, the father. I pull up a mental image of a mockingbird, fuse it with the jabberjay, and yes, I can see how they mated to make my mockingjay. There is nothing about the bird that suggests it's a mutt. Nothing except the horribly lifelike sounds of Prim's voice streaming from its mouth. I silence it with an arrow in its throat. The bird falls to the ground. I remove my arrow and wring its neck for good measure. Then I hurl the revolting thing into the jungle. No degree of hunger would ever tempt me to eat it.

It wasn't real, I tell myself. The same way the muttation wolves last year weren't really the dead tributes. It's just a sadistic trick of the Gamemakers.

Finnick crashes into the clearing to find me wiping my arrow clean with some moss. “Katniss?”

“It's okay. I'm okay,” I say, although I don't feel okay at all. “I thought I heard my sister but—” The piercing shriek cuts me off. It's another voice, not Prim's, maybe a young woman's. I don't recognize it. But the effect on Finnick is instantaneous. The color vanishes from his face and I can actually see his pupils dilate in fear. “Finnick, wait!” I say, reaching out to reassure him, but he's bolted away. Gone off in pursuit of the victim, as mindlessly as I pursued Prim. “Finnick!” I call, but I know he won't turn back and wait for me to give a rational explanation. So all I can do is follow him.

It's no effort to track him, even though he's moving so fast, since he leaves a clear, trampled path in his wake. But the bird is at least a quarter mile away, most of it uphill, and by the time I reach him, I'm winded. He's circling around a giant tree. The trunk must be four feet in diameter and the limbs don't even begin until twenty feet up. The woman's shrieks emanate from somewhere in the foliage, but the jabberjay's concealed. Finnick's screaming as well, over and over. “Annie! Annie!” He's in a state of panic and completely unreachable, so I do what I would do anyway. I scale an adjacent tree, locate the jabberjay, and take it out with an arrow. It falls straight down, landing right at Finnick's feet. He picks it up, slowly making the connection, but when I slide down to join him, he looks more despairing than ever.

“It's all right, Finnick. It's just a jabberjay. They're playing a trick on us,” I say. “It's not real. It's not your ... Annie.”

“No, it's not Annie. But the voice was hers. Jabberjays mimic what they hear. Where did they get those screams, Katniss?” he says.

I can feel my own cheeks grow pale as I understand his meaning. “Oh, Finnick, you don't think they ...”

“Yes. I do. That's exactly what I think,” he says.

I have an image of Prim in a white room, strapped to a table, while masked, robed figures elicit those sounds from her. Somewhere they are torturing her, or did torture her, to get those sounds. My knees turn to water and I sink to the ground. Finnick is trying to tell me something, but I can't hear him. What I do finally hear is another bird starting up somewhere off to my left. And this time, the voice is Gale's.

Finnick catches my arm before I can run. “No. It's not him.” He starts pulling me downhill, toward the beach. “We're getting out of here!” But Gale's voice is so full of pain I can't help struggling to reach it. “It's not him, Katniss! It's a mutt!” Finnick shouts at me. “Come on!” He moves me along, half dragging, half carrying me, until I can process what he said. He's right, it's just another jabberjay. I can't help Gale by chasing it down. But that doesn't change the fact that it is Gale's voice, and somewhere, sometime, someone has made him sound like this.

I stop fighting Finnick, though, and like the night in the fog, I flee what I can't fight. What can only do me harm. Only this time it's my heart and not my body that's disintegrating. This must be another weapon of the clock. Four o'clock, I guess. When the hands tick-tock onto the four, the monkeys go home and the jabberjays come out to play. Finnick is right—getting out of here is the only thing to do. Although there will be nothing Haymitch can send in a parachute that will help either Finnick or me recover from the wounds the birds have inflicted.

I catch sight of Peeta and Johanna standing at the tree line and I'm filled with a mixture of relief and anger. Why didn't Peeta come to help me? Why did no one come after us? Even now he hangs back, his hands raised, palms toward us, lips moving but no words reaching us. Why?,

The wall is so transparent, Finnick and I run smack into it and bounce back onto the jungle floor. I'm lucky. My shoulder took the worst of the impact, whereas Finnick hit face-first and now his nose is gushing blood. This is why Peeta and Johanna and even Beetee, who I see sadly shaking his head behind them, have not come to our aid. An invisible barrier blocks the area in front of us. It's not a force field. You can touch the hard, smooth surface all you like. But Peeta's knife and Johanna's ax can't make a dent in it. I know, without checking more than a few feet to one side, that it encloses the entire four-to-five-o'clock wedge. That we will be trapped like rats until the hour passes.

Peeta presses his hand against the surface and I put my own up to meet it, as if I can feel him through the wall. I see his lips moving but I can't hear him, can't hear anything outside our wedge. I try to make out what he's saying, but I can't focus, so I just stare at his face, doing my best to hang on to my sanity.

Then the birds begin to arrive. One by one. Perching in the surrounding branches. And a carefully orchestrated chorus of horror begins to spill out of their mouths. Finnick gives up at once, hunching on the ground, clenching his hands over his ears as if he's trying to crush his skull. I try to fight for a while. Emptying my quiver of arrows into the hated birds. But every time one drops dead, another quickly takes its place. And finally I give up and curl up beside Finnick, trying to block out the excruciating sounds of Prim, Gale, my mother, Madge, Rory, Vick, even Posy, helpless little Posy...

I know it's stopped when I feel Peeta's hands on me, feel myself lifted from the ground and out of the jungle. But I stay eyes squeezed shut, hands over my ears, muscles too rigid to release. Peeta holds me on his lap, speaking soothing words, rocking me gently. It takes a long time before I begin to relax the iron grip on my body. And when I do, the trembling begins.

“It's all right, Katniss,” he whispers.

“You didn't hear them,” I answer.

“I heard Prim. Right in the beginning. But it wasn't her,” he says. “It was a jabberjay.”

“It was her. Somewhere. The jabberjay just recorded it,” I say.

“No, that's what they want you to think. The same way I wondered if Glimmer's eyes were in that mutt last year. But those weren't Glimmer's eyes. And that wasn't Prim's voice. Or if it was, they took it from an interview or something and distorted the sound. Made it say whatever she was saying,” he says.

“No, they were torturing her,” I answer. “She's probably dead.”

“Katniss, Prim isn't dead. How could they kill Prim? We're almost down to the final eight of us. And what happens then?” Peeta says.

“Seven more of us die,” I say hopelessly.

“No, back home. What happens when they reach the final eight tributes in the Games?” He lifts my chin so I have to look at him. Forces me to make eye contact. “What happens? At the final eight?”

I know he's trying to help me, so I make myself think. “At the final eight?” I repeat. “They interview your family and friends back home.”

“That's right,” says Peeta. “They interview your family and friends. And can they do that if they've killed them all?”

“No?” I ask, still unsure.

“No. That's how we know Prim's alive. She'll be the first one they interview, won't she?” he asks.

I want to believe him. Badly. It's just ... those voices ...

“First Prim. Then your mother. Your cousin, Gale. Madge,” he continues. “It was a trick, Katniss. A horrible one. But we're the only ones who can be hurt by it. We're the ones in the Games. Not them.”

“You really believe that?” I say.

“I really do,” says Peeta. I waver, thinking of how Peeta can make anyone believe anything. I look over at Finnick for confirmation, see he's fixated on Peeta, his words.

“Do you believe it, Finnick?” I ask.

“It could be true. I don't know,” he says. “Could they do that, Beetee? Take someone's regular voice and make it ...”

“Oh, yes. It's not even that difficult, Finnick. Our children learn a similar technique in school,” says Beetee.

“Of course Peeta's right. The whole country adores Katniss's little sister. If they really killed her like this, they'd probably have an uprising on their hands,” says Johanna flatly. “Don't want that, do they?” She throws back her head and shouts, “Whole country in rebellion? Wouldn't want anything like that!”

My mouth drops open in shock. No one, ever, says anything like this in the Games. Absolutely, they've cut away from Johanna, are editing her out. But I have heard her and can never think about her again in the same way. She'll never win any awards for kindness, but she certainly is gutsy. Or crazy. She picks up some shells and heads toward the jungle. “I'm getting water,” she says.

I can't help catching her hand as she passes me. “Don't go in there. The birds—” I remember the birds must be gone, but I still don't want anyone in there. Not even her.

“They can't hurt me. I'm not like the rest of you. There's no one left I love,” Johanna says, and frees her hand with an impatient shake. When she brings me back a shell of water, I take it with a silent nod of thanks, knowing how much she would despise the pity in my voice.

While Johanna collects water and my arrows, Beetee fiddles with his wire, and Finnick takes to the water. I need to clean up, too, but I stay in Peeta's arms, still too shaken to move.

“Who did they use against Finnick?” he asks.

“Somebody named Annie,” I say.

“Must be Annie Cresta,” he says.

“Who?” I ask.

“Annie Cresta. She was the girl Mags volunteered for. She won about five years ago,” says Peeta.

That would have been the summer after my father died, when I first began feeding my family, when my whole being was occupied with battling starvation. “I don't remember those Games much,” I say. “Was that the earthquake year?”

“Yeah. Annie's the one who went mad when her district partner got beheaded. Ran off by herself and hid. But an earthquake broke a dam and most of the arena got flooded. She won because she was the best swimmer,” says Peeta.

“Did she get better after?” I ask. “I mean, her mind?”

“I don't know. I don't remember ever seeing her at the Games again. But she didn't look too stable during the reaping this year,” says Peeta.

So that's who Finnick loves, I think. Not his string of fancy lovers in the Capitol. But a poor, mad girl back home.

A cannon blast brings us all together on the beach. A hovercraft appears in what we estimate to be the six-to-seven-o'clock zone. We watch as the claw dips down five different times to retrieve the pieces of one body, torn apart. It's impossible to tell who it was. Whatever happens at six o'clock, I never want to know.

Peeta draws a new map on a leaf, adding a JJ for jabberjays in the four-to-five-o'clock section and simply writing beast in the one where we saw the tribute collected in pieces. We now have a good idea of what seven of the hours will bring. And if there's any positive to the jabberjay attack, it's that it let us know where we are on the clock face again.

Finnick weaves yet another water basket and a net for fishing. I take a quick swim and put more ointment on my skin. Then I sit at the edge of the water, cleaning the fish Finnick catches and watching the sun drop below the horizon. The bright moon is already on the rise, filling the arena with that strange twilight. We're about to settle down to our meal of raw fish when the anthem begins. And then the faces ...

Cashmere. Gloss. Wiress. Mags. The woman from District 5. The morphling who gave her life for Peeta. Blight. The man from 10.

Eight dead. Plus eight from the first night. Two-thirds of us gone in a day and a half. That must be some kind of record.

“They're really burning through us,” says Johanna. “Who's left? Besides us five and District Two?” asks Finnick.

“Chaff,” says Peeta, without needing to think about it. Perhaps he's been keeping an eye out for him because of Haymitch.

A parachute comes down with a pile of bite-sized square-shaped rolls. “These are from your district, right, Beetee?” Peeta asks.

“Yes, from District Three,” he says. “How many are there?”

Finnick counts them, turning each one over in his hands before he sets it in a neat configuration. I don't know what it is with Finnick and bread, but he seems obsessed with handling it. “Twenty-four,” he says.

“An even two dozen, then?” says Beetee.

“Twenty-four on the nose,” says Finnick. “How should we divide them?”

“Let's each have three, and whoever is still alive at breakfast can take a vote on the rest,” says Johanna. I don't know why this makes me laugh a little. I guess because it's true. When I do, Johanna gives me a look that's almost approving. No, not approving. But maybe slightly pleased.

We wait until the giant wave has flooded out of the ten-to-eleven-o'clock section, wait for the water to recede, and then go to that beach to make camp. Theoretically, we should have a full twelve hours of safety from the jungle. There's an unpleasant chorus of clicking, probably from some evil type of insect, coming from the eleven-to-twelve-o'clock wedge. But whatever is making the sound stays within the confines of the jungle and we keep off that part of the beach in case they're just waiting for a carelessly placed footfall to swarm out.

I don't know how Johanna's still on her feet. She's only had about an hour of sleep since the Games started. Peeta and I volunteer for the first watch because we're better rested, and because we want some time alone. The others go out immediately, although Finnick's sleep is restless. Every now and then I hear him murmuring Annie's name.

Peeta and I sit on the damp sand, facing away from each other, my right shoulder and hip pressed against his. I watch the water as he watches the jungle, which is better for me. I'm still haunted by the voices of the jabberjays, which unfortunately the insects can't drown out. After a while I rest my head against his shoulder. Feel his hand caress my hair.

“Katniss,” he says softly, “it's no use pretending we don't know what the other one is trying to do.” No, I guess there isn't, but it's no fun discussing it, either. Well, not for us, anyway. The Capitol viewers will be glued to their sets so they don't miss one wretched word.

“I don't know what kind of deal you think you've made with Haymitch, but you should know he made me promises as well.” Of course, I know this, too. He told Peeta they could keep me alive so that he wouldn't be suspicious. “So I think we can assume he was lying to one of us.”

This gets my attention. A double deal. A double promise. With only Haymitch knowing which one is real. I raise my head, meet Peeta's eyes. “Why are you saying this now?”

“Because I don't want you forgetting how different our circumstances are. If you die, and I live, there's no life for me at all back in District Twelve. You're my whole life,” he says. “I would never be happy again.” I start to object but he puts a finger to my lips. “It's different for you. I'm not saying it wouldn't be hard. But there are other people who'd make your life worth living.”

Peeta pulls the chain with the gold disk from around his neck. He holds it in the moonlight so I can clearly see the mockingjay. Then his thumb slides along a catch I didn't notice before and the disk pops open. It's not solid, as I had thought, but a locket. And within the locket are photos. On the right side, my mother and Prim, laughing. And on the left, Gale. Actually smiling.

There is nothing in the world that could break me faster at this moment than these three faces. After what I heard this afternoon ... it is the perfect weapon.

“Your family needs you, Katniss,” Peeta says.

My family. My mother. My sister. And my pretend cousin Gale. But Peeta's intention is clear. That Gale really is my family, or will be one day, if I live. That I'll marry him. So Peeta's giving me his life and Gale at the same time. To let me know I shouldn't ever have doubts about it.

Everything. That's what Peeta wants me to take from him.

I wait for him to mention the baby, to play to the cameras, but he doesn't. And that's how I know that none of this is part of the Games. That he is telling me the truth about what he feels.

“No one really needs me,” he says, and there's no self-pity in his voice. It's true his family doesn't need him. They will mourn him, as will a handful of friends. But they will get on. Even Haymitch, with the help of a lot of white liquor, will get on. I realize only one person will be damaged beyond repair if Peeta dies. Me.

“I do,” I say. “I need you.” He looks upset, takes a deep breath as if to begin a long argument, and that's no good, no good at all, because he'll start going on about Prim and my mother and everything and I'll just get confused. So before he can talk, I stop his lips with a kiss.

I feel that thing again. The thing I only felt once before. In the cave last year, when I was trying to get Haymitch to send us food. I kissed Peeta about a thousand times during those Games and after. But there was only one kiss that made me feel something stir deep inside. Only one that made me want more. But my head wound started bleeding and he made me lie down.

This time, there is nothing but us to interrupt us. And after a few attempts, Peeta gives up on talking. The sensation inside me grows warmer and spreads out from my chest, down through my body, out along my arms and legs, to the tips of my being. Instead of satisfying me, the kisses have the opposite effect, of making my need greater. I thought I was something of an expert on hunger, but this is an entirely new kind.

It's the first crack of the lightning storm—the bolt hitting the tree at midnight—that brings us to our senses. It rouses Finnick as well. He sits up with a sharp cry. I see his fingers digging into the sand as he reassures himself that whatever nightmare he inhabited wasn't real.

“I can't sleep anymore,” he says. “One of you should rest.” Only then does he seem to notice our expressions, the way we're wrapped around each other. “Or both of you. I can watch alone.”

Peeta won't let him, though. “It's too dangerous,” he says. “I'm not tired. You lie down, Katniss.” I don't object because I do need to sleep if I'm to be of any use keeping him alive. I let him lead me over to where the others are. He puts the chain with the locket around my neck, then rests his hand over the spot where our baby would be. “You're going to make a great mother, you know,” he says. He kisses me one last time and goes back to Finnick.

His reference to the baby signals that our time-out from the Games is over. That he knows the audience will be wondering why he hasn't used the most persuasive argument in his arsenal. That sponsors must be manipulated.

But as I stretch out on the sand I wonder, could it be more? Like a reminder to me that I could still one day have kids with Gale? Well, if that was it, it was a mistake. Because for one thing, that's never been part of my plan.

And for another, if only one of us can be a parent, anyone can see it should be Peeta.

As I drift off, I try to imagine that world, somewhere in the future, with no Games, no Capitol. A place like the meadow in the song I sang to Rue as she died. Where Peeta's child could be safe.

Catching Fire Chapter 23

Chapter 23

A clock. I can almost see the hands ticking around the twelve-sectioned face of the arena. Each hour begins a new horror, a new Gamemaker weapon, and ends the previous. Lightning, blood rain, fog, monkeys — those are the first four hours on the clock. And at ten, the wave. I don't know what happens in the other seven, but I know Wiress is right.

At present, the blood rain's falling and we're on the beach below the monkey segment, far too close to the fog for my liking. Do the various attacks stay within the confines of the jungle? Not necessarily. The wave didn't. If that fog leaches out of the jungle, or the monkeys return ...

“Get up,” I order, shaking Peeta and Finnick and Johanna awake. “Get up—we have to move.” There's enough time, though, to explain the clock theory to them. About Wiress's tick-tocking and how the movements of the invisible hands trigger a deadly force in each section.

I think I've convinced everyone who's conscious except Johanna, who's naturally opposed to liking anything I suggest. But even she agrees it's better to be safe than sorry.

While the others collect our few possessions and get Beetee back into his jumpsuit, I rouse Wiress. She awakes with a panicked “tick, tock!”

“Yes, tick, tock, the arena's a clock. It's a clock, Wiress, you were right,” I say. “You were right.”

Relief floods her face — I guess because somebody has finally understood what she's known probably from the first tolling of the bells. “Midnight.”

“It starts at midnight,” I confirm.

A memory struggles to surface in my brain. I see a clock. No, it's a watch, resting in Plutarch Heavensbee's palm. “It starts at midnight,” Plutarch said. And then my mockingjay lit up briefly and vanished. In retrospect, it's like he was giving me a clue about the arena. But why would he? At the time, I was no more a tribute in these Games than he was. Maybe he thought it would help me as a mentor. Or maybe this had been the plan all along.

Wiress nods at the blood rain. “One-thirty,” she says.

“Exactly. One-thirty. And at two, a terrible poisonous fog begins there,” I say, pointing at the nearby jungle. “So we have to move somewhere safe now.” She smiles and stands up obediently. “Are you thirsty?” I hand her the woven bowl and she gulps down about a quart. Finnick gives her the last bit of bread and she gnaws on it. With the inability to communicate overcome, she's functioning again.

I check my weapons. Tie up the spile and the tube of medicine in the parachute and fix it to my belt with vine.

Beetee's still pretty out of it, but when Peeta tries to lift him, he objects. “Wire,” he says.

“She's right here,” Peeta tells him. “Wiress is fine. She's coming, too.”

But still Beetee struggles. “Wire,” he insists.

“Oh, I know what he wants,” says Johanna impatiently. She crosses the beach and picks up the cylinder we took from his belt when we were bathing him. It's coated in a thick layer of congealed blood. “This worthless thing. It's some kind of wire or something. That's how he got cut. Running up to the Cornucopia to get this. I don't know what kind of weapon it's supposed to be. I guess you could pull off a piece and use it as a garrote or something. But really, can you imagine Beetee garroting somebody?”

“He won his Games with wire. Setting up that electrical trap,” says Peeta. “It's the best weapon he could have.”

There's something odd about Johanna not putting this together. Something that doesn't quite ring true. Suspicious. “Seems like you'd have figured that out,” I say. “Since you nicknamed him Volts and all.”

Johanna's eyes narrow at me dangerously. “Yeah, that was really stupid of me, wasn't it?” she says. “I guess I must have been distracted by keeping your little friends alive. While you were...what, again? Getting Mags killed off?”

My fingers tighten on the knife handle at my belt.

“Go ahead. Try it. I don't care if you are knocked up, I'll rip your throat out,” says Johanna.

I know I can't kill her right now. But it's just a matter of time with Johanna and me. Before one of us offs the other.

“Maybe we all had better be careful where we step,” says Finnick, shooting me a look. He takes the coil and sets it on Beetee's chest. “There's your wire, Volts. Watch where you plug it.”

Peeta picks up the now-unresisting Beetee. “Where to?”

“I'd like to go to the Cornucopia and watch. Just to make sure we're right about the clock,” says Finnick. It seems as good a plan as any. Besides, I wouldn't mind the chance of going over the weapons again. And there are six of us now. Even if you count Beetee and Wiress out, we've got four good fighters. It's so different from where I was last year at this point, doing everything on my own. Yes, it's great to have allies as long as you can ignore the thought that you'll have to kill them.

Beetee and Wiress will probably find some way to die on their own. If we have to run from something, how far would they get? Johanna, frankly, I could easily kill if it came down to protecting Peeta. Or maybe even just to shut her up. What I really need is for someone to take out Finnick for me, since I don't think I can do it personally. Not after all he's done for Peeta. I think about maneuvering him into some kind of encounter with the Careers. It's cold, I know. But what are my options? Now that we know about the clock, he probably won't die in the jungle, so someone's going to have to kill him in battle.

Because this is so repellent to think about, my mind frantically tries to change topics. But the only thing that distracts me from my current situation is fantasizing about killing President Snow. Not very pretty daydreams for a seventeen-year-old girl, I guess, but very satisfying.

We walk down the nearest sand strip, approaching the Cornucopia with care, just in case the Careers are concealed there. I doubt they are, because we've been on the beach for hours and there's been no sign of life. The area's abandoned, as I expected. Only the big golden horn and the picked-over pile of weapons remain.

When Peeta lays Beetee in the bit of shade the Cornucopia provides, he calls out to Wiress. She crouches beside him and he puts the coil of wire in her hands. “Clean it, will you?” he asks.

Wiress nods and scampers over to the water's edge, where she dunks the coil in the water. She starts quietly singing some funny little song, about a mouse running up a clock. It must be for children, but it seems to make her happy.

“Oh, not the song again,” says Johanna, rolling her eyes. “That went on for hours before she started tick-tocking.”

Suddenly Wiress stands up very straight and points to the jungle. “Two,” she says.

I follow her finger to where the wall of fog has just begun to seep out onto the beach. “Yes, look, Wiress is right. It's two o'clock and the fog has started.”

“Like clockwork,” says Peeta. “You were very smart to figure that out, Wiress.”

Wiress smiles and goes back to singing and dunking her coil. “Oh, she's more than smart,” says Beetee. “She's intuitive.” We all turn to look at Beetee, who seems to be coming back to life. “She can sense things before anyone else. Like a canary in one of your coal mines.”

“What's that?” Finnick asks me.

“It's a bird that we take down into the mines to warn us if there's bad air,” I say.

“What's it do, die?” asks Johanna.

“It stops singing first. That's when you should get out. But if the air's too bad, it dies, yes. And so do you.” I don't want to talk about dying songbirds. They bring up thoughts of my father's death and Rue's death and Maysilee Donner's death and my mother inheriting her songbird. Oh, great, and now I'm thinking of Gale, deep down in that horrible mine, with President Snow's threat hanging over his head. So easy to make it look like an accident down there. A silent canary, a spark, and nothing more.

I go back to imagining killing the president.

Despite her annoyance at Wiress, Johanna's as happy as I've seen her in the arena. While I'm adding to my stock of arrows, she pokes around until she comes up with a pair of lethal-looking axes. It seems an odd choice until I see her throw one with such force it sticks in the sun-softened gold of the Cornucopia. Of course. Johanna Mason. District 7. Lumber. I bet she's been tossing around axes since she could toddle. It's like Finnick with his trident. Or Beetee with his wire. Rue with her knowledge of plants. I realize it's just another disadvantage the District 12 tributes have faced over the years. We don't go down in the mines until we're eighteen. It looks like most of the other tributes learn something about their trades early on. There are things you do in a mine that could come in handy in the Games. Wielding a pick. Blowing things up. Give you an edge. The way my hunting did. But we learn them too late.

While I've been messing with the weapons, Peeta's been squatting on the ground, drawing something with the tip of his knife on a large, smooth leaf he brought from the jungle.

I look over his shoulder and see he's creating a map of the arena. In the center is the Cornucopia on its circle of sand with the twelve strips branching out from it. It looks like a pie sliced into twelve equal wedges. There's another circle representing the waterline and a slightly larger one indicating the edge of the jungle. “Look how the Cornucopia's positioned,” he says to me.

I examine the Cornucopia and see what he means. “The tail points toward twelve o'clock,” I say.

“Right, so this is the top of our clock,” he says, and quickly scratches the numbers one through twelve around the clock face. “Twelve to one is the lightning zone.” He writes lightning in tiny print in the corresponding wedge, then works clockwise adding blood, fog, and monkeys in the following sections.

“And ten to eleven is the wave,” I say. He adds it. Finnick and Johanna join us at this point, armed to the teeth with tridents, axes, and knives.

“Did you notice anything unusual in the others?” I ask Johanna and Beetee, since they might have seen something we didn't. But all they've seen is a lot of blood. “I guess they could hold anything.”

“I'm going to mark the ones where we know the Gamemakers' weapon follows us out past the jungle, so we'll stay clear of those,” says Peeta, drawing diagonal lines on the fog and wave beaches. Then he sits back. “Well, it's a lot more than we knew this morning, anyway.”

We all nod in agreement, and that's when I notice it. The silence. Our canary has stopped singing.

I don't wait. I load an arrow as I twist and get a glimpse of a dripping-wet Gloss letting Wiress slide to the ground, her throat slit open in a bright red smile. The point of my arrow disappears into his right temple, and in the instant it takes to reload, Johanna has buried an ax blade in Cashmere's chest. Finnick knocks away a spear Brutus throws at Peeta and takes Enobaria's knife in his thigh. If there wasn't a Cornucopia to duck behind, they'd be dead, both of the tributes from District 2. I spring forward in pursuit. Boom! Boom! Boom! The cannon confirms there's no way to help Wiress, no need to finish off Gloss or Cashmere. My allies and I are rounding the horn, starting to give chase to Brutus and Enobaria, who are sprinting down a sand strip toward the jungle.

Suddenly the ground jerks beneath my feet and I'm flung on my side in the sand. The circle of land that holds the Cornucopia starts spinning fast, really fast, and I can see the jungle going by in a blur. I feel the centrifugal force pulling me toward the water and dig my hands and feet into the sand, trying to get some purchase on the unstable ground. Between the flying sand and the dizziness, I have to squeeze my eyes shut. There is literally nothing I can do but hold on until, with no deceleration, we slam to a stop.

Coughing and queasy, I sit up slowly to find my companions in the same condition. Finnick, Johanna, and Peeta have hung on. The three dead bodies have been tossed out into the seawater.

The whole thing, from missing Wiress's song to now, can't have taken more than a minute or two. We sit there panting, scraping the sand out of our mouths.

“Where's Volts?” says Johanna. We're on our feet. One wobbly circle of the Cornucopia confirms he's gone. Finnick spots him about twenty yards out in the water, barely keeping afloat, and swims out to haul him in.

That's when I remember the wire and how important it was to him. I look frantically around. Where is it? Where is it? And then I see it, still clutched in Wiress's hands, far out in the water. My stomach contracts at the thought of what I must do next. “Cover me,” I say to the others. I toss aside my weapons and race down the strip closest to her body. Without slowing down, I dive into the water and start for her. Out of the corner of my eye, I can see the hovercraft appearing over us, the claw starting to descend to take her away. But I don't stop. I just keep swimming as hard as I can and end up slamming into her body. I come up gasping, trying to avoid swallowing the bloodstained water that spreads out from the open wound in her neck. She's floating on her back, borne up by her belt and death, staring into that relentless sun. As I tread water, I have to wrench the coil of wire from her fingers, because her final grip on it is so tight. There's nothing I can do then but close her eyelids, whisper good-bye, and swim away. By the time I swing the coil up onto the sand and pull myself from the water, her body's gone. But I can still taste her blood mingled with the sea salt.

I walk back to the Cornucopia. Finnick's gotten Beetee back alive, although a little waterlogged, sitting up and snorting out water. He had the good sense to hang on to his glasses, so at least he can see. I place the reel of wire on his lap. It's sparkling clean, no blood left at all. He unravels a piece of the wire and runs it through his fingers. For the first time I see it, and it's unlike any wire I know. A pale golden color and as fine as a piece of hair. I wonder how long it is. There must be miles of the stuff to fill the large spool. But I don't ask, because I know he's thinking of Wiress.

I look at the others' sober faces. Now Finnick, Johanna, and Beetee have all lost their district partners. I cross to Peeta and wrap my arms around him, and for a while we all stay silent.

“Let's get off this stinking island,” Johanna says finally. There's only the matter of our weapons now, which we've largely retained. Fortunately the vines here are strong and the spile and tube of medicine wrapped in the parachute are still secured to my belt. Finnick strips off his undershirt and ties it around the wound Enobaria's knife made in his thigh; it's not deep. Beetee thinks he can walk now, if we go slowly, so I help him up. We decide to head to the beach at twelve o'clock. That should provide hours of calm and keep us clear of any poisonous residue. And then Peeta, Johanna, and Finnick head off in three different directions.

“Twelve o'clock, right?” says Peeta. “The tail points at twelve.”

“Before they spun us,” says Finnick. “I was judging by the sun.”

“The sun only tells you it's going on four, Finnick,” I say.

“I think Katniss's point is, knowing the time doesn't mean you necessarily know where four is on the clock. You might have a general idea of the direction. Unless you consider that they may have shifted the outer ring of jungle as well,” says Beetee.

No, Katniss's point was a lot more basic than that. Beetee's articulated a theory far beyond my comment on the sun. But I just nod my head like I've been on the same page all along. “Yes, so any one of these paths could lead to twelve o'clock,” I say.

We circle around the Cornucopia, scrutinizing the jungle. It has a baffling uniformity. I remember the tall tree that took the first lightning strike at twelve o'clock, but every sector has a similar tree. Johanna thinks to follow Enobaria's and Brutus's tracks, but they have been blown or washed away. There's no way to tell where anything is. “I should have never mentioned the clock,” I say bitterly. “Now they've taken that advantage away as well.”

“Only temporarily,” says Beetee. “At ten, we'll see the wave again and be back on track.”

“Yes, they can't redesign the whole arena,” says Peeta.

“It doesn't matter,” says Johanna impatiently. “You had to tell us or we never would have moved our camp in the first place, brainless.” Ironically, her logical, if demeaning, reply is the only one that comforts me. Yes, I had to tell them to get them to move. “Come on, I need water. Anyone have a good gut feeling?”

We randomly choose a path and take it, having no idea what number we're headed for. When we reach the jungle, we peer into it, trying to decipher what may be waiting inside.

“Well, it must be monkey hour. And I don't see any of them in there,” says Peeta. “I'm going to try to tap a tree.”

“No, it's my turn,” says Finnick.

“I'll at least watch your back,” Peeta says.

“Katniss can do that,” says Johanna. “We need you to make another map. The other washed away.” She yanks a large leaf off a tree and hands it to him.

For a moment, I'm suspicious they're trying to divide and kill us. But it doesn't make sense. I'll have the advantage on Finnick if he's dealing with the tree and Peeta's much bigger than Johanna. So I follow Finnick about fifteen yards into the jungle, where he finds a good tree and starts stabbing to make a hole with his knife.

As I stand there, weapons ready, I can't lose the uneasy feeling that something is going on and that it has to do with Peeta. I retrace our steps, starting from the moment the gong rang out, searching for the source of my discomfort. Finnick towing Peeta in off his metal plate. Finnick reviving Peeta after the force field stopped his heart. Mags running into the fog so that Finnick could carry Peeta. The morphling hurling herself in front of him to block the monkey's attack. The fight with the Careers was so quick, but didn't Finnick block Brutus's spear from hitting Peeta even though it meant taking Enobaria's knife in his leg? And even now Johanna has him drawing a map on a leaf rather than risking the jungle...

There is no question about it. For reasons completely unfathomable to me, some of the other victors are trying to keep him alive, even if it means sacrificing themselves.

I'm dumbfounded. For one thing, that's my job. For another, it doesn't make sense. Only one of us can get out. So why have they chosen Peeta to protect? What has Haymitch possibly said to them, what has he bargained with to make them put Peeta's life above their own?

I know my own reasons for keeping Peeta alive. He's my friend, and this is my way to defy the Capitol, to subvert its terrible Games. But if I had no real ties to him, what would make me want to save him, to choose him over myself? Certainly he is brave, but we have all been brave enough to survive a Games. There is that quality of goodness that's hard to overlook, but still ... and then I think of it, what Peeta can do so much better than the rest of us. He can use words. He obliterated the rest of the field at both interviews. And maybe it's because of that underlying goodness that he can move a crowd—no, a country—to his side with the turn of a simple sentence.

I remember thinking that was the gift the leader of our revolution should have. Has Haymitch convinced the others of this? That Peeta's tongue would have far greater power against the Capitol than any physical strength the rest of us could claim? I don't know. It still seems like a really long leap for some of the tributes. I mean, we're talking about Johanna Mason here. But what other explanation can there be for their decided efforts to keep him alive?

“Katniss, got that spile?” Finnick asks, snapping me back to reality. I cut the vine that ties the spile to my belt and hold the metal tube out to him.

That's when I hear the scream. So full of fear and pain it ices my blood. And so familiar. I drop the spile, forget where I am or what lies ahead, only know I must reach her, protect her. I run wildly in the direction of the voice, heedless of danger, ripping through vines and branches, through anything that keeps me from reaching her.

From reaching my little sister.

Catching Fire Chapter 22

Chapter 22

Peeta drops the sheath and buries his knife into the monkey's back, stabbing it again and again until it releases its jaw. He kicks the mutt away, bracing for more. I have his arrows now, a loaded bow, and Finnick at my back, breathing hard but not actively engaged.

“Come on, then! Come on!” shouts Peeta, panting with rage. But something has happened to the monkeys. They are withdrawing, backing up trees, fading into the jungle, as if some unheard voice calls them away. A Gamemaker's voice, telling them this is enough.

“Get her,” I say to Peeta. “We'll cover you.”

Peeta gently lifts up the morphling and carries her the last few yards to the beach while Finnick and I keep our weapons at the ready. But except for the orange carcasses on the ground, the monkeys are gone. Peeta lays the morphling on the sand. I cut away the material over her chest, revealing the four deep puncture wounds. Blood slowly trickles from them, making them look far less deadly than they are. The real damage is inside. By the position of the openings, I feel certain the beast ruptured something vital, a lung, maybe even her heart.

She lies on the sand, gasping like a fish out of water. Sagging skin, sickly green, her ribs as prominent as a child's dead of starvation. Surely she could afford food, but turned to the morphling just as Haymitch turned to drink, I guess. Everything about her speaks of waste—her body, her life, the vacant look in her eyes. I hold one of her twitching hands, unclear whether it moves from the poison that affected our nerves, the shock of the attack, or withdrawal from the drug that was her sustenance. There is nothing we can do. Nothing but stay with her while she dies.

“I'll watch the trees,” Finnick says before walking away. I'd like to walk away, too, but she grips my hand so tightly I would have to pry off her fingers, and I don't have the strength for that kind of cruelty. I think of Rue, how maybe I could sing a song or something. But I don't even know the morphling's name, let alone if she likes songs. I just know she's dying.

Peeta crouches down on the other side of her and strokes her hair. When he begins to speak in a soft voice, it seems almost nonsensical, but the words aren't for me. “With my paint box at home, I can make every color imaginable. Pink. As pale as a baby's skin. Or as deep as rhubarb. Green like spring grass. Blue that shimmers like ice on water.”

The morphling stares into Peeta's eyes, hanging on to his words.

“One time, I spent three days mixing paint until I found the right shade for sunlight on white fur. You see, I kept thinking it was yellow, but it was much more than that. Layers of all sorts of color. One by one,” says Peeta.

The morphling's breathing is slowing into shallow catch-breaths. Her free hand dabbles in the blood on her chest, making the tiny swirling motions she so loved to paint with.

“I haven't figured out a rainbow yet. They come so quickly and leave so soon. I never have enough time to capture them. Just a bit of blue here or purple there. And then they fade away again. Back into the air,” says Peeta.

The morphling seems mesmerized by Peeta's words. Entranced. She lifts up a trembling hand and paints what I think might be a flower on Peeta's cheek.

“Thank you,” he whispers. “That looks beautiful.”

For a moment, the morphling's face lights up in a grin and she makes a small squeaking sound. Then her blood-dappled hand falls back onto her chest, she gives one last huff of air, and the cannon fires. The grip on my hand releases.

Peeta carries her out into the water. He returns and sits beside me. The morphling floats out toward the Cornucopia for a while, then the hovercraft appears and a four-pronged claw drops, encases her, carries her into the night sky, and she's gone.

Finnick rejoins us, his fist full of my arrows still wet with monkey blood. He drops them beside me on the sand. “Thought you might want these.”

“Thanks,” I say. I wade into the water and wash off the gore, from my weapons, my wounds. By the time I return to the jungle to gather some moss to dry them, all the monkeys' bodies have vanished.

“Where did they go?” I ask.

“We don't know exactly. The vines shifted and they were gone,” says Finnick.

We stare at the jungle, numb and exhausted. In the quiet, I notice that the spots where the fog droplets touched my skin have scabbed over. They've stopped hurting and begun to itch. Intensely. I try to think of this as a good sign. That they are healing. I glance over at Peeta, at Finnick, and see they're both scratching at their damaged faces. Yes, even Finnick's beauty has been marred by this night.

“Don't scratch,” I say, wanting badly to scratch myself. But I know it's the advice my mother would give. “You'll only bring infection. Think it's safe to try for the water again?”

We make our way back to the tree Peeta was tapping. Finnick and I stand with our weapons poised while he works the spile in, but no threat appears. Peeta's found a good vein and the water begins to gush from the spile. We slake our thirst, let the warm water pour over our itching bodies. We fill a handful of shells with drinking water and go back to the beach.

It's still night, though dawn can't be too many hours away. Unless the Gamemakers want it to be. “Why don't you two get some rest?” I say. “I'll watch for a while.”

“No, Katniss, I'd rather,” says Finnick. I look in his eyes, at his face, and realize he's barely holding back tears. Mags. The least I can do is give him the privacy to mourn her.

“All right, Finnick, thanks,” I say. I lie down on the sand with Peeta, who drifts off at once. I stare into the night, thinking of what a difference a day makes. How yesterday morning, Finnick was on my kill list, and now I'm willing to sleep with him as my guard. He saved Peeta and let Mags die and I don't know why. Only that I can never settle the balance owed between us. All I can do at the moment is go to sleep and let him grieve in peace. And so I do.

It's midmorning when I open my eyes again. Peeta's still out beside me. Above us, a mat of grass suspended on branches shields our faces from the sunlight. I sit up and see that Finnick's hands have not been idle. Two woven bowls are filled with fresh water. A third holds a mess of shellfish.

Finnick sits on the sand, cracking them open with a stone. “They're better fresh,” he says, ripping a chunk of flesh from a shell and popping it into his mouth. His eyes are still puffy but I pretend not to notice.

My stomach begins to growl at the smell of food and I reach for one. The sight of my fingernails, caked with blood, stops me. I've been scratching my skin raw in my sleep.

“You know, if you scratch you'll bring on infection,” says Finnick.

“That's what I've heard,” I say. I go into the saltwater and wash off the blood, trying to decide which I hate more, pain or itching. Fed up, I stomp back onto the beach, turn my face upward, and snap, “Hey, Haymitch, if you're not too drunk, we could use a little something for our skin.”

It's almost funny how quickly the parachute appears above me. I reach up and the tube lands squarely in my open hand. “About time,” I say, but I can't keep the scowl on my face. Haymitch. What I wouldn't give for five minutes of conversation with him.

I plunk down on the sand next to Finnick and screw the lid off the tube. Inside is a thick, dark ointment with a pungent smell, a combination of tar and pine needles. I wrinkle my nose as I squeeze a glob of the medicine onto my palm and begin to massage it into my leg. A sound of pleasure slips out of my mouth as the stuff eradicates my itching. It also stains my scabby skin a ghastly gray-green. As I start on the second leg I toss the tube to Finnick, who eyes me doubtfully.

“It's like you're decomposing,” says Finnick. But I guess the itching wins out, because after a minute Finnick begins to treat his own skin, too. Really, the combination of the scabs and the ointment looks hideous. I can't help enjoying his distress.

“Poor Finnick. Is this the first time in your life you haven't looked pretty?” I say.

“It must be. The sensation's completely new. How have you managed it all these years?” he asks.

“Just avoid mirrors. You'll forget about it,” I say.

“Not if I keep looking at you,” he says.

We slather ourselves down, even taking turns rubbing the ointment into each other's backs where the undershirts don't protect our skin. “I'm going to wake Peeta,” I say.

“No, wait,” says Finnick. “Let's do it together. Put our faces right in front of his.”

Well, there's so little opportunity for fun left in my life, I agree. We position ourselves on either side of Peeta, lean over until our faces are inches from his nose, and give him a shake. “Peeta. Peeta, wake up,” I say in a soft, singsong voice.

His eyelids flutter open and then he jumps like we've stabbed him. “Aa!”

Finnick and I fall back in the sand, laughing our heads off. Every time we try to stop, we look at Peeta's attempt to maintain a disdainful expression and it sets us off again. By the time we pull ourselves together, I'm thinking that maybe Finnick Odair is all right. At least not as vain or self-important as I'd thought. Not so bad at all, really. And just as I've come to this conclusion, a parachute lands next to us with a fresh loaf of bread. Remembering from last year how Haymitch's gifts are often timed to send a message, I make a note to myself. Be friends with Finnick. You'll get food.

Finnick turns the bread over in his hands, examining the crust. A bit too possessively. It's not necessary. It's got that green tint from seaweed that the bread from District 4 always has. We all know it's his. Maybe he's just realized how precious it is, and that he may never see another loaf again. Maybe some memory of Mags is associated with the crust. But all he says is, “This will go well with the shellfish.”

While I help Peeta coat his skin with the ointment, Finnick deftly cleans the meat from the shellfish. We gather round and eat the delicious sweet flesh with the salty bread from District 4.

We all look monstrous—the ointment seems to be causing some of the scabs to peel — but I'm glad for the medicine. Not just because it gives relief from the itching, but also because it acts as protection from that blazing white sun in the pink sky. By its position, I estimate it must be going on ten o'clock, that we've been in the arena for about a day. Eleven of us are dead. Thirteen alive. Somewhere in the jungle, ten are concealed. Three or four are the Careers. I don't really feel like trying to remember who the others are.

For me, the jungle has quickly evolved from a place of protection to a sinister trap. I know at some point we'll be forced to reenter its depths, either to hunt or be hunted, but for right now I'm planning to stick to our little beach. And I don't hear Peeta or Finnick suggesting we do otherwise. For a while the jungle seems almost static, humming, shimmering, but not flaunting its dangers. Then, in the distance, comes screaming. Across from us, a wedge of the jungle begins to vibrate. An enormous wave crests high on the hill, topping the trees and roaring down the slope. It hits the existing seawater with such force that, even though we're as far as we can get from it, the surf bubbles up around our knees, setting our few possessions afloat. Among the three of us, we manage to collect everything before it's carried off, except for our chemical-riddled jumpsuits, which are so eaten away no one cares if we lose them.

A cannon fires. We see the hovercraft appear over the area where the wave began and pluck a body from the trees. Twelve, I think.

The circle of water slowly calms down, having absorbed the giant wave. We rearrange our things back on the wet sand and are about to settle down when I see them. Three figures, about two spokes away, stumbling onto the beach. “There,” I say quietly, nodding in the newcomers' direction. Peeta and Finnick follow my gaze. As if by previous agreement, we all fade back into the shadows of the jungle.

The trio's in bad shape—you can see that right off. One is being practically dragged out by a second, and the third wanders in loopy circles, as if deranged. They're a solid brick-red color, as if they've been dipped in paint and left out to dry.

“Who is that?” asks Peeta. “Or what? Muttations?”

I draw back an arrow, readying for an attack. But all that happens is that the one who was being dragged collapses on the beach. The dragger stamps the ground in frustration and, in an apparent fit of temper, turns and shoves the circling, deranged one over.

Finnick's face lights up. “Johanna!” he calls, and runs for the red things.

“Finnick!” I hear Johanna's voice reply.

I exchange a look with Peeta. “What now?” I ask.

“We can't really leave Finnick,” he says.

“Guess not. Come on, then,” I say grouchily, because even if I'd had a list of allies, Johanna Mason would definitely not have been on it. The two of us tromp down the beach to where Finnick and Johanna are just meeting up. As we move in closer, I see her companions, and confusion sets in. That's Beetee on the ground on his back and Wiress who's regained her feet to continue making loops. “She's got Wiress and Beetee.”

“Nuts and Volts?” says Peeta, equally puzzled. “I've got to hear how this happened.”

When we reach them, Johanna's gesturing toward the jungle and talking very fast to Finnick. “We thought it was rain, you know, because of the lightning, and we were all so thirsty. But when it started coming down, it turned out to be blood. Thick, hot blood. You couldn't see, you couldn't speak without getting a mouthful. We just staggered around, trying to get out of it. That's when Blight hit the force field.”

“I'm sorry, Johanna,” says Finnick. It takes a moment to place Blight. I think he was Johanna's male counterpart from District 7, but I hardly remember seeing him. Come to think of it, I don't even think he showed up for training.

“Yeah, well, he wasn't much, but he was from home,” she says. “And he left me alone with these two.” She nudges Beetee, who's barely conscious, with her shoe. “He got a knife in the back at the Cornucopia. And her—”

We all look over at Wiress, who's circling around, coated in dried blood, and murmuring, “Tick, tock. Tick, tock.”

“Yeah, we know. Tick, tock. Nuts is in shock,” says Johanna. This seems to draw Wiress in her direction and she careens into Johanna, who harshly shoves her to the beach. “Just stay down, will you?”

“Lay off her,” I snap.

Johanna narrows her brown eyes at me in hatred. “Lay off her?” she hisses. She steps forward before I can react and slaps me so hard I see stars. “Who do you think got them out of that bleeding jungle for you? You—” Finnick tosses her writhing body over his shoulder and carries her out into the water and repeatedly dunks her while she screams a lot of really insulting things at me. But I don't shoot. Because she's with Finnick and because of what she said, about getting them for me.

“What did she mean? She got them for me?” I ask Peeta.

“I don't know. You did want them originally,” he reminds me.

“Yeah, I did. Originally.” But that answers nothing. I look down at Beetee's inert body. “But I won't have them long unless we do something.”

Peeta lifts Beetee up in his arms and I take Wiress by the hand and we go back to our little beach camp. I sit Wiress in the shallows so she can get washed up a bit, but she just clutches her hands together and occasionally mumbles, “Tick, tock.” I unhook Beetee's belt and find a heavy metal cylinder attached to the side with a rope of vines. I can't tell what it is, but if he thought it was worth saving, I'm not going to be the one who loses it. I toss it up on the sand. Beetee's clothes are glued to him with blood, so Peeta holds him in the water while I loosen them. It takes some time to get the jumpsuit off, and then we find his undergarments are saturated with blood as well. There's no choice but to strip him naked to get him clean, but I have to say this doesn't make much of an impression on me anymore. Our kitchen table's been full of so many naked men this year. You kind of get used to it after a while.

We put down Finnick's mat and lay Beetee on his stomach so we can examine his back. There's a gash about six inches long running from his shoulder blade to below his ribs. Fortunately it's not too deep. He's lost a lot of blood, though—you can tell by the pallor of his skin — and it's still oozing out of the wound.

I sit back on my heels, trying to think. What do I have to work with? Seawater? I feel like my mother when her first line of defense for treating everything was snow. I look over at the jungle. I bet there's a whole pharmacy in there if I knew how to use it. But these aren't my plants. Then I think about the moss Mags gave me to blow my nose. “Be right back,” I tell Peeta. Fortunately the stuff seems to be pretty common in the jungle. I rip an armful from the nearby trees and carry it back to the beach. I make a thick pad out of the moss, place it on Beetee's cut, and secure it by tying vines around his body. We get some water into him and then pull him into the shade at the edge of the jungle.

“I think that's all we can do,” I say.

“It's good. You're good with this healing stuff,” he says. “It's in your blood.”

“No,” I say, shaking my head. “I got my father's blood.” The kind that quickens during a hunt, not an epidemic. “I'm going to see about Wiress.”

I take a handful of the moss to use as a rag and join Wiress in the shallows. She doesn't resist as I work off her clothing, scrub the blood from her skin. But her eyes are dilated with fear, and when I speak, she doesn't respond except to say with ever-increasing urgency, “Tick, tock.” She does seem to be trying to tell me something, but with no Beetee to explain her thoughts, I'm at a loss.

“Yes, tick, tock. Tick, tock,” I say. This seems to calm her down a little. I wash out her jumpsuit until there's hardly a trace of blood, and help her back into it. It's not damaged like ours were. Her belt's fine, so I fasten that on, too. Then I pin her undergarments, along with Beetee's, under some rocks and let them soak.

By the time I've rinsed out Beetee's jumpsuit, a shiny clean Johanna and peeling Finnick have joined us. For a while, Johanna gulps water and stuffs herself with shellfish while I try to coax something into Wiress. Finnick tells about the fog and the monkeys in a detached, almost clinical voice, avoiding the most important detail of the story.

Everybody offers to guard while the others rest, but in the end, it's Johanna and I who stay up. Me because I'm really rested, she because she simply refuses to lie down. The two of us sit in silence on the beach until the others have gone to sleep.

Johanna glances over at Finnick, to be sure, then turns to me. “How'd you lose Mags?”

“In the fog. Finnick had Peeta. I had Mags for a while. Then I couldn't lift her. Finnick said he couldn't take them both. She kissed him and walked right into the poison,” I say.

“She was Finnick's mentor, you know,” Johanna says accusingly.

“No, I didn't,” I say.

“She was half his family,” she says a few moments later, but there's less venom behind it.

We watch the water lap up over the undergarments. “So what were you doing with Nuts and Volts?” I ask.

“I told you — I got them for you. Haymitch said if we were to be allies I had to bring them to you,” says Johanna. “That's what you told him, right?”

No, I think. But I nod my head in assent. “Thanks. I appreciate it.”

“I hope so.” She gives me a look filled with loathing, like I'm the biggest drag possible on her life. I wonder if this is what it's like to have an older sister who really hates you.

“Tick, tock,” I hear behind me. I turn and see Wiress has crawled over. Her eyes are focused on the jungle.

“Oh, goody, she's back. Okay, I'm going to sleep. You and Nuts can guard together,” Johanna says. She goes over and flings herself down beside Finnick.

“Tick, tock,” whispers Wiress. I guide her in front of me and get her to lie down, stroking her arm to soothe her. She drifts off, stirring restlessly, occasionally sighing out her phrase. “Tick, tock.”

“Tick, tock,” I agree softly. “It's time for bed. Tick, tock. Go to sleep.”

The sun rises in the sky until it's directly over us. It must be noon, I think absently. Not that it matters. Across the water, off to the right, I see the enormous flash as the lightning bolt hits the tree and the electrical storm begins again. Right in the same area it did last night. Someone must have moved into its range, triggered the attack. I sit for a while watching the lightning, keeping Wiress calm, lulled into a sort of peacefulness by the lapping of the water. I think of last night, how the lightning began just after the bell tolled. Twelve bongs.

“Tick, tock,” Wiress says, surfacing to consciousness for a moment and then going back under.

Twelve bongs last night. Like it was midnight. Then lightning. The sun overhead now. Like it's noon. And lightning.

Slowly I rise up and survey the arena. The lightning there. In the next pie wedge over came the blood rain, where Johanna, Wiress, and Beetee were caught. We would have been in the third section, right next to that, when the fog appeared. And as soon as it was sucked away, the monkeys began to gather in the fourth. Tick, tock. My head snaps to the other side. A couple of hours ago, at around ten, that wave came out of the second section to the left of where the lightning strikes now. At noon. At midnight. At noon.

“Tick, tock,” Wiress says in her sleep. As the lightning ceases and the blood rain begins just to the right of it, her words suddenly make sense.

“Oh,” I say under my breath. “Tick, tock.” My eyes sweep around the full circle of the arena and I know she's right. “Tick, tock. This is a clock.”